Last year, Sony's peculiar NEX-F3 was a fine mirrorless camera by most accounts, but its larger footprint left us hoping for a next-gen offering more in line with its predecessor, the NEX-C3 -- a tried-and-true shooter that many Engadget staffers still turn to for review photos and trade shows, thanks to its consistent performance and light weight. We were quite relieved, then, to see that this year's device represented a return to the 2011 design, with a few very compelling additions, to boot.The NEX-3N's most celebrated asset is its size -- sans lens, it's barely thicker than a deck of cards, with a body that measures roughly 4.3 inches in width, 2.4 inches in height and 1.4 inches in depth. It's also fairly light, at 7.4 ounces (body only), yet it still feels substantial, and very well made. Adding the 16-50mm (35mm-equivalent 24-75mm) f/3.5-5.6 lens serves to boost the camera's weight and depth, as you might expect, though the protrusion is far less significant than what we once saw with Sony's previous inclusion, which lacked the retractable-zoom design of this generally superior optic. The detachable lens ships in the box, which makes this $500 3N kit quite a bargain, especially considering the zoom's standalone price of $350.
Another fresh addition is the built-in, pop-up flash, which, believe it or not, is a first for Sony's starter NEX. Of course, adding in a strobe without boosting the body size doesn't come without compromise -- there's no proprietary mount up top, which means an external mic is out of the question. This may be slightly disconcerting to video shooters, especially considering that the camera's stereo microphones are mounted on the top of the camera rather than on the front, flanking the lens. That configuration makes the 3N a fine fit for narration but a less-than-stellar option for conducting interviews in noisy environments. We would be willing to look past this oversight had Sony included a microphone input, but alas, there's no such port present.

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